本动画由狂丸娱乐出品。本片采用8-bit像素游戏的画面与音乐，还原了经典香港电影《大话西游》，用另一种方式诠释了“爱你一万年”“OnlyYou”等经典桥段。

本动画由狂丸娱乐出品。本片采用8-bit像素游戏的画面与音乐，还原了经典香港电影《大话西游》，用另一种方式诠释了“爱你一万年”“OnlyYou”等经典桥段。

文学作品里的虚构菜式，味道究竟如何，全靠读者自行想象。其实，将这些虚构菜式在现实中烹饪出来也并非不可能。节目主持邀请了星级厨师，从电视剧集、电玩游戏、卡通动画、文学名著里寻找创意灵感，发掘其中提到的特色美食，再凭借名厨的精湛厨艺，把这些看似不真实的菜式“还原”。那些天马行空的料理真的能被烹制出来吗，还是仅仅是创作者的幻想食物？该节目将引领观众走进虚幻与现实交织的料理世界！

文學作品中的虛構菜式，大家可有推想過是甚麼味道？作者筆下的美食，味道如何，全憑讀者意會；如果要在現實中煮出來，也並非全無可能。 主持請來星級廚師，從電視劇集、電玩遊戲、卡通動畫、文學名著中尋找創意靈感，發掘內裡提到的一些特色美食，並透過名廚的巧手，將這些看似不真實的菜式「還原」。究竟那些天馬行空的料理可會真的可以烹製？抑或只是創作人的幻想食物？ 節目引領觀眾投入虛幻、現實交織的料理世界！

《明星大侦探之案件还原 动漫版》是高能推理会员社区神秘空间用户专享的内容，通过动漫的展现形式，还原《明星大侦探》第四季至第六季案件故事全程。

2018年6月23日，泰国12名足球少年及其教练被困洞穴，全球共28国4559人参与救援。今日泰国政府举行答谢会。一个多月来，梨视频拍客专访参与营救的多位关键人物，30分钟还原这场曾被认为不可能的全球救援行动。

2018年6月23日，泰国12名足球少年及其教练被困洞穴，全球共28国4559人参与救援。今日泰国政府举行答谢会。一个多月来，梨视频拍客专访参与营救的多位关键人物，30分钟还原这场曾被认为不可能的全球救援行动。

Michel Piccoli stars as an amorous dentist whose philandering seemingly knows no bounds. He is no sooner shooing such lovelies as Anna Karina and Elsa Martinelli out the back door than he is welcoming such "new blood" as Joanna Shimkus into his living room. When Shimkus demands a commitment, Piccoli runs home movies of his past girlfriends, insisting all the while that he has forgotten them and that Joanna is the only woman in his life. The very next day he's running his movies for still another woman, and the song continues. De L'Amour is based on an 1822 novel by Stendhal (who would have been visionary indeed if he'd included all those home movies!)

A famous docking: Algiers, the White City, in a radiant light. The picture darkens with a voice-over reading of the text of the surrender of the Dey of Algiers in 1830. About the Conquest confronts us with a page of the French national novel that was too hastily turned. Franssou Prenant audaciously gathers a community of complicit voices who read a succession of archives (reports, testimonies, memoirs, historical, geographical, and urbanistic considerations) in a matter-of- fact tone. Recounting the stages of France’s colonisation of Algeria between 1830 and 1848, they outline the ideological landscape of a staggering annihilation effort. The film could just as well have been entitled About Destruction. Franssou Prenant thus constructs a memorial with a technique common to History and cinema: montage. A montage of texts: the words of Victor Hugo, Ernest Renan, Tocqueville are interwoven with those of military men, senior officials, brigadiers, without any way of distinguishing the authors. Then, a montage of images through which yesterday’s acts of violence and dispossession echo in the present: in contrast to an account of murders, the film presents a desolate desert landscape or the frank and innocent smiles of teenagers. The promises of riches offered by colonized Algeria are accompanied by shots of an opulent, Haussmann-style Parisian city centre. We are plunged into a reflection on the nature of this extraordinary violence, through a pictorial meandering into contemporary Algeria, entwined with archival extracts heard in an interplay of convergence and divergence. The piling up of texts brings to light both the ethnocentric and racist imaginary and the cold logic of economic exploitation that dictated the colonization of Algeria and its irreversible consequences, from which Algerian society still suffers today. 　　源自：https://fidmarseille.org/en/film/de-la-conquete-about-the-conquest/

从心灵哲学的角度看，“平行论”是一种身心相互作用的二元论，它认为精神事件与物质事件发生在平行的存在过程中，两者以特定的方式相互作用着，当然这并不意味着其中一个可以诱导另一个去做和它同样的事。电影用同样的方式展示了两个世界，两座城市。它们看似独立存在，但实际上它们通过走廊、时空隧道和跨维度桥梁相互交流着。这两个相反的世界，乌托邦和反乌托邦，终将在一个“混血”的世界中统一。那不是两个世界单纯的加总，而是两个世界的某种融合。在那里，由两个相反世界融合诞生的新世界就有了一个新的身份。在意大利语中，“meccio”(混血)源于晚期拉丁语mixtīcius，意思是“混合”，由此很可能衍生出了法语里的成语métis，意为我们每个人融合多重身份，多重个性于一身的能力。影片的主人公是一个的“聚合”，是一个眼睛上长有拉链，脸颊上生长着玫瑰花瓣的女人，她看上去就像花。影片由她介绍给大家，也由她落幕，好像她的存在引导着和谐的融合之路——那也是一个“混血”的存在——似乎她的故事就是通往希望与满足世界的必经之路，这个过程充满可能性，起始的两条平行道路即象征了一种获得新融合身份、兼容发展和成就独特的可能性。